Job

“Power! A power that can make a difference in my life for the first time is now in my hands or was in my hands…” How do we uproot evil from our lives? Where does this darkness come from, and how far does it reach? They are living among us. They are waiting in the same carriage on the metro, sitting in the adjacent seat at the cinema, stopping a few cars ahead of you in traffic, and perhaps sipping their drinks with pleasure at the next table at dinner. Every possibility is possible; the cube has eight faces, and humanity has a thousand forms. Are you ready to see every face of this cube? Shirin, who works at a major technology company, is fired due to a nervous breakdown. To return to her job, she has to knock on a therapist's door. With a gun in her bag and a fire in her heart that doesn't know what it means to burn out, every minute in this room becomes a matter of life and death. Kerem Deren and Çisil Hazal Tenim, adapting and directing Max Wolf Friedlich’s game “Job,” confront us with its most raw and darkest layers of trauma, power dynamics, and the therapist-client relationship.